Parental paranoia is the order of the day in this hard-hitting American commercial for Subaru. It's easy to worry about teenagers making good decisions at the best of times, especially when they're behind the wheel of a several-ton vehicle. Despite the incessant buzz of smartphone notifications and alerts, Subaru claim their technology will help keep drivers focused.

Director Mark Molloy doesn't let things get too graphic here, allowing parents to see the potential destruction to their vehicle while the child remains frozen in the moment before impact. It's a shrewd directorial decision and enhances the reminder that ‘urgent' matters whatever they may be, can wait.

This atmospheric film from director Keenan Wetzel tells the story of Stephen Yellowtail - a young Native American cowboy looking for meaning in his life. Shot in Wyoming and Montana, 'Yellowtail' transports the viewer to the wild, timeless landscape as the young man questions his chaotic lifestyle.

Shot in 35mm, the film has a nostalgic quality which is enhanced by the central figure's steady voiceover, carrying a calmness which transcends his years. Featuring an entirely non-actor cast and accompanied by music from Alaskan Tapes, this thoughtful piece of work reflects on how looking inwards and outwards can sometimes be one and the same.

This 40" ad for The Times and The Sunday Times transforms the House of Commons into a den of - and by no means limited to - snakes, sheep, and vultures. We would make a joke along the lines of "So what's new?", but we'll leave that to the reader.

Also left to the viewers' discretion is choosing which real-life politician to pair with their animal counterpart. Given Westminster's ongoing unrest, it shouldn't be too difficult naming an ostrich with its head in the sand or a pack of hyenas cackling at their beleaguered opponent.

Tying this impressively rendered creature feature together is a rendition of ‘Talk to the Animals' from Doctor Dolittle. While translating MPs' rigmarole may seem like an impossible task, The Times and its sister paper - represented here by the lion and unicorn which bear their logos - claim they have the requisite smarts.

Engine's winning entry for the Channel 4 Diversity in Advertising Award and the RAF targets sexism with a wry compendium of TVC platitudes. Riffing on the language of ads for cosmetics, clothing, and women's hygiene products, the film juxtaposes lines such as "I want to combat the signs of aging" with an entirely different kind of warfare.

This initial jarring effect is comically maintained throughout the 40" runtime, as numerous tenets of RAF life are partnered with bubbly voiceovers and superficial dialogue. Naturally, there is a serious message attached to these audio-visual antics.

The organisation insist applicants should be defined by their ability, not stereotypes. As viewers tune into the ad's canny structure, one hopes it prompts a more enlightened and less hackneyed approach to the portrayal of women in advertising.