This poignant film from director Paul Hairston takes an emotional look at one man's journey to turn his life around. From a youth marred by fire, tragedy, and felonies, the man known to friends as Scarface is a fascinating subject - both for his history and current work to serve his community.

Following stints in prison and being stabbed in the throat, his ambition to stop street-level feuds becoming deadly took the shape of Street Beefs: an organisation which facilitates people with an axe to grind punching out their differences safely in the ring.

The film is a gripping watch, shifting between hectic fight scenes and Scarface's measured narration. He's candid and eloquent as he talks about the mentality of physical fights and their ability to settle disputes... without one of the participants ending up dead, if he has any say in things.

Fourteen different animators show what dancing means to them in this fun piece out of Seed Animation Studio. As a pulsing dance track sets the tone, a colourful cast of movers, shakers, and boppers show what the queue at the bar is missing out on.

Those already with drink in hand have mixed fortunes, as it goes. One reveller is caught in a loop as she tries to keep her glass full, while another has mastered the static boogie. Many a festivalgoer will empathise with the bloke who's partied just too hard, as well.

It's those with free hands and feet (bar the odd walking stick) that steal the show, however. Whether it's a pensioner on an arcade dance machine or a security guard in front of a festival crowd, this 2D medley reminds us it's good to bust a move - with or without an audience.

Emma Willis finds herself in an identity crisis in this clever promo for Channel 4's The Circle, which sees the presenter undergo a variety of transformations to convey the programme's zest for online alter-egos. As a shapeshifting Willis sagely reminds us, being yourself takes on a whole new meaning once when we log in.

Directors Smith & Foulkes run with the concept here, turning Willis into a tattoo nut, a walking emoji, and a pink animated kitten, among other things. Even if Willis's performance isn't quite as dynamic as the visuals, there's enough to tempt curious viewers into a world of avatars and online chicanery.

This is such a lovely idea – kudos to Alicia Job and Jess Watson at Engine – and it's been beautifully executed by Don & Nic at Outsider. It encourages punters living south west of London to use the advertised railway to make a day trip to remember. This notion is brought to life by depicting characters from the places they visit as a growing cavalcade joining in the fun.

It's been delivered with a great deal of warmth and humanity, making it a feelgood film which has a good chance of persuading people to do what it advocates. (Of course, as the long-suffering users of this railway will tell you, persuading more people to use their trains is not exactly the brightest idea… there is more agony and suffering on a daily basis at South Western's London terminus then there ever was at the battle which gave it its name!)

But let's not be churlish, this is a super piece of work and fully deserving of its five stars.

This beautifully judged satire from Norwegian classifieds website Finn targets brands who turn conservation into a sales opportunity. Or those who ask questions like: "If a chair could speak, what stories would it tell?"

Set in a lush Nordic forest, the ad muses on the humble chair's place in the world with increasing absurdity. Like a circular economy gone mad, the unnamed brand envision trees that lead to chairs that lead to, erm, tree-in-a-chairs.

That the ad just about manages to string you along for sixty-odd seconds is testament to directors Matias & Mathias, who nail the furniture maker's highfalutin tone before flipping the script in understated fashion. A first-rate salute to second-hand goods.