The nurses who keep the NHS running take centre stage in the health service's latest recruitment drive. With fears of staff shortages on the advent of Brexit looming in the background, it's heartening to see the backbone of the country's hospitals and home care services celebrated for all they do day after day.

There's an impressive amount of diversity shown here - not just in the nurses themselves, who come from all races, ages, and genders, but in the variety of jobs they're shown dealing with. From elderly care to pastoral comfort, surgical assistance to mental health intervention, the true scope of such a career is shown to be challenging - but also rewarding.

While this may well encourage people to consider becoming a nurse, it's also a timely reminder of just how much the underfunded and underappreciated NHS does for our divided little nation. Maybe if we all agree upon that for a minute, we can finally start to bridge some gaps.

The tangible quality of photographs has waned in recent years - as was always inevitable with the march of time and technology. From disposable cameras taking days or hours to develop to smartphones instantly capturing and storing images on the cloud, memories have become almost entirely digital. That's something Instax intend to change, by campaigning to re-establish photos as something to be given, not just taken.

It's significant that, despite trading in a retro medium, this commercial doesn't rely on nostalgia. Director Sara Dunlop has done an excellent job of keeping things feeling youthful - artistic and forward-looking in both the film's content and composition. It suggests keeping physical photographs as almost a rebellious act - tangible memories for the generation who reject acquiring things the same way their parents craved it.

While Gaviscon proper has thankfully abandoned the dreaded twins and their ailing guts for a more entertaining route, its new brand Guardium has also emerged boldly into the spotlight.

The debut ad is set in an office, where a savvy woman - seeing her colleague wincing with the pain of heartburn - advises him sotto voce to try the product in question.

Lo and behold, a dark knight radiating a blue glow through his visor appears silently beside her. He's her, um, guardium, it would seem; and he protects her round the clock - whether she's running, sunbathing, or sleeping.

Colin the colleague decides he wants her guard for himself... but eventually has to climb down off his high horse and accept he'll have to get his own.

To say it's tough out there may be the understatement of the year, but it's also the tagline of Apple's latest commercial. The tech giant aim to show they mean business in an increasingly crowded smartphone market, and that requires one sturdy piece of kit: the iPhone 11 Pro.

Said device is put through the wringer here, as it faces an onslaught of toys, vegetables, and everyday accoutrements in a wind tunnel. Suffice it to say, we don't envy those tasked with cleaning up afterwards.

What makes the ad really pop, however, is the tactile sound design and surprisingly ominous soundtrack. As Soondclub's 'Dvolution' ratchets up the, erm, tension, each thump, squelch, and clank lands with satisfying force... and convincingly suggests Apple's latest is made of the right stuff.