City planners may take umbrage, but Nice Shirt’s Gerald McMorrow oversees some tricksy roadworks in this Nissan commercial. We see highways converge and conjoin at will - enough to distract one driver at a busy junction. Easily done when the world turns ‘Inception’ on you. Luckily, the marque’s Altima and Rogue models are on red alert.

The technically-accomplished shoot - realised by McMorrow and MPC - raises pertinent questions about driverless cars. In promoting their safety features, Nissan depict near-misses in a rather breezy fashion. The future may be autonomous, but drivers in the present best keep their wits about them.

This compelling Under Armour commercial stars Misty Copeland - the first African-American female principal dancer with the American Ballet Theatre. It’s a far cry from the Metropolitan Opera House, but this empty arena proves the ideal stage.

Agile’s Georgia Hudson is well-versed in dancerly shoots. Here, Hudson and DP Zoë White orbit Copeland’s graceful performance - all measured flexes and controlled bursts. As she spins and pirouettes, the camera follows suit.

Her backing track is provided by poet Saul Williams. Copeland becomes an “astronaut of corporal grace” - somehow ascending with both feet on the ground. Despite Copeland’s elite status, Williams extols equality: “To match my strength is to feel your own”.

One of six films commissioned by the sportswear brand, this is quieter than anything Under Armour have released before. However, this celebration of Copeland’s athletic art speaks volumes.