This beautiful film by Seb Edwards uses the sheer quality of the director's skill to underline the idea that Aviva are a serious financial company who won't let you down when it matters. It follows a woman who is inspired by a vision of children playing in an idyllic Scottish landscape, as she sets about making her dreams come true.

Her journey north to find her imagined paradise serves as a metaphor for a broader journey through life.

Edwards is ably assisted by cinematographer Robbie Ryan in imbuing every single shot with quality, and it is this more than the story itself which expresses the brand values which Aviva want to associate themselves with.

The impact of Covid-19 on live music is laid bare in this atmospheric short film which flits between empty venues and housebound raves. Directed by Sam Davis and Tom Andrew, the film brims with pent-up energy that should be spent in clubs up down and the country. Unfortunately, no-one knows when (or if) these spaces will fulfil their purpose again.

Choice shots of sad disco balls and smoky side rooms are eerily beautiful, as are the strobe lights which resemble distress signals from imprisoned clubbers. The soundtrack (part ambient, part drum and bass) knows when to get the heart pounding though, and these spasms break the silence in cathartic, celebratory fashion.

Charlotte Regan directs this stirring piece of work for Ronald McDonald House Charities Canada that underlines the importance of family in a sick child's recovery. As a boy and his family enter their accomodation late at night, we realise they’re in it for the long haul.

The reality of extended care is well-handled: movie nights are interspersed with hospital visits, kickabouts with convalescence, and laughter with fraught silence. A shot of mum and dad hushed in the laundry room neatly illustrates the emotional toll.

This tactful blend of highs and lows keep viewers engaged thoughout the two-minute runtime, with an assured Regan keeping the schmaltz at bay. Plenty of care has been taken with the subject matter, and it's paid off for all concerned.

Health food enthusiasts Graze introduce a CEO with a twist in this entertaining ad. The brand's new Chief Eating Officer is uniquely suited for her position among the creators of all things nutty, oaty, and otherwise earthy and edible - that is to say, she's a squirrel.

Lovely animation work on the diminutive boss helps the ad's humour land, as does the sheer difference in scale between her and her bipedal colleagues. The ad strikes a fourth-wall-breaking tone from the start, riffing on The Office's mockumentary style as bemused employees shoot looks to camera.

Director Henry Littlechild has struck a good balance between the absurd and the mundane here, with the weirdness of a cross-species workspace ultimately superseded by the power of a bad pun. Such things are classics for a reason, we suppose.

The water treatment process becomes an adventure in this chirpy commercial for Anglian Water. The ad follows a young girl just learning about what it takes to make the taps run, and charts her rapid acquisition of knowledge around chemical cleaning, conservation, and the more unsavoury aspects of drain maintenance.

Director Greg Hackett keeps the pace brisk, ensuring that the drier technical details never bog down the narrative. Instead we see things through the eyes of a curious child, and feel a little spark of the wonder at figuring out how the world works for the first time again. A charming effort from an unexpected (water) source.